Notes From the Field

(Alternate title: God I fucking hate this war). My father called me last night to say he hadn't heard from me in a while and to remind me of the staggering expectations that pass for small talk in my family. Afterwards, as I walked the rest of my way home in a blue mood, I wondered if I would be destined to always have difficult relationships with people I care deeply for. And then just now as I was sitting in the backseat of a car on the FDR, en route to an event for work, I saw a helicopter hovering over the East River and thought of my dad flying reconnaissance missions in Vietnam, younger than I am now, trying not to die.

Are you still busy?

Just now I had a call for work and I was like, Oh your name is Valerie? Have you heard the Amy Winehouse Zutons cover? I am totally resisting my impulse to sing it on the phone right now. And, since it was confession-time, it turned out much to my surprised delight that I was (once again) on the phone with a Lux Lotus reader! I really should have serenaded her.

Many thanks for your comments! I have such a crush on each and every one of you today.

Pictured: Amy Winehouse, "Valerie."

UPDATE: Who did I run into just a few hours later and recognize from her blog? Jessica from Dilettantsia, who has such a fab look, like Jean Seberg in Breathless channeled through an Almodóvar film! We crossed paths once and then twice at the National Arts Club, where Wayne Koestenbaum read from his very Lux Lotus book, Hotel Theory (I am a new fan!), as part of the PAGE series. I was on a whirlwind tour of the nabe with Kathy Daneman of FSG (we're publicizing Roxana Robinson's new novel, Cost, together later this spring) that was so smashing I very nearly left my new Martin Margiela grey suede cloven-toed pumps at W hotel bar, but I didn't. On my way home, I ran into another friend who told me a story to warm the hearts of Joy Division fans everywhere. And now, sleep; I need it.

Previously: Windowlicker.

Windowlicker

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Recently, my sister and I saw The Other Boleyn Girl, which is almost mercilessly tawdry, and is saved only by the almost merciless foxiness of Eric Bana as the petulant tyrant of record. The other best thing about the film is that it led us to go around for the rest of the day ending every phrase with "sis-TAH," said in the most sweetly conniving tone possible. It all reminds me of how much I enjoyed being called "princess" for a brief moment --that coincided with the get-on-a-plane-and-meet-me-for-dinner, you'll-recognize-me-by-my-tiara phase-- last summer. So what could be better then, than an "empress" teapot? Not much, sister.

["Empress" Teapot, $65 from Le Palais Gourmet]

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST-ish.

The Ex-Boyfriend School of Flattery

Today at lunch:

Me: Did you notice my pretty new dress? (Which admittedly, I am so enamored of I wore it to two parties two nights in a row last weekend)

He: Uh, I think I've seen it before.

At least he showed up from a trip out West with a box of my favorites! And also, typing this reminds me that I can't wait to hear this record.

One Night in Paris

Tonight I had the distinct pleasure of enjoying the sort of intellectually stimulating evening that I savor when I attended a sold-out lecture by French philosopher Bernard Henri-Lévy at the 92nd Street Y, at the invitation of the charmant, as Dana would say, Andrew Krucoff. Henri-Lévy cuts a dashing presence, leaving everyone in his wake discussing how sexy he is, even the boys. Everyone says it's the extra button undone on his tieless white shirt worn with black suit and a slightly disheveled air, but that's not it. Breathlessness aside, I was struck by how remarkable it would be to give a powerful oratory address in a language that is certainly not one's first, perhaps not even second. Widely traveled in Pakistan, Afghanistan, Israel, Morocco and the Middle East at large since 2001, he focused on the contemporary political world stage and theories of war as well as the dangers of fanatacism, cynicism and everything in-between in a historical context. It was a beautifully structured and affecting talk that ended with a dedication to victims of Armenian genocide, as well as a call to form alliances with the unpowerful of the world... "Burundi, Rwanda, Sudan, Colombia, Chechnya... we are in the same boat." At the reception afterwards I chatted with long-time pals like Sarah, Ed and Ron, and admired Isabella Rossellini and Daphne Guinness from afar. And no fewer than five people told me that they plan to attend Upstairs at the Square next week! Perhaps best of all, though, BHL himself came by to say hello when I was chatting with the editor of Guernica and a friend, and so we met. All was charmant.

Previously: C'est French, c'est fatal.

Mind Reader

24947793 Last week my fingers brushed across The Solitary Vice on a table in a bookstore, and lingered, but I was already carrying an impossibly heavy Lucian Freud monograph, and so I moved on. And then, wonder of wonders, an envelope arrived in the post today containing none other than the object of my desire. It's easy to see why, as from the look and sound of it, it's "so Lux Lotus." So "very Lux Lotus." More, perhaps, later.

LUX LOTUS 'ROUND MIDNIGHT POETRY HOUR

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Someone, somewhere, is always starting trouble...


IMAGE SOURCE.

POEM SOURCE (MORE).

It Must Be My Shiny Hair

"Brilliant"? "Sublime"? Mentioning me in the same breath as champagne? Oh internets, you're making me laugh today!

Notes on Walker

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This evening I attended a screening of Walker presented by Film Comment at Lincoln Center, because Rudy Wurlitzer is one of my clients and he wrote it. Just before the film began, I met director Alex Cox (Repo Man, Sid & Nancy) and all I could do was grin, which is okay because I am not usually like that! And I am sure he is used to it by now. Walker is so beautiful and strange and prescient and witty and almost steampunk in its charming anachronisms and postmodern touches and maybe definitely wholly from another dimension and essential. I was mesmerized by the performances of Ed Harris and Marlee Matlin and the electricity of the whole endeavor. I've already purchased the perfect soundtrack (composed and performed by Joe Strummer) on iTunes and I haven't even been home for 15 minutes! Most of all, I loved the look and style of the film, naturally, as Wild West meets 19th Century Central America with a dash of maverick chic is so where I'm at right now, sartorially speaking (right this moment, I am wearing a cream and scarlet top my favorite ex bought me when he was in the jungle in Mexico with black tights and skirt and tan suede cowboy boots). I am going to buy the film and study the costume design, which is even stronger where menswear is concerned (the range of ties, cravats, scarves, and epaulets alone is truly astounding). Judging from stills I've seen of another film Rudy wrote, Two Lane Blacktop, I might need to take a look at that one, too. What inspiration for spring!

Lost (Cosmonaut) in Translation

"The allegedly un-ironic Russian was actually schooling the supposedly super-ironic author in the simplest form of irony: now that's ironic." -- Daniel Kalder in The Guardian, via A Cup of Tea & A Wheat Penny.

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