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Figure Eight

London

In this week's edition of The Smart Set for MaudNewton.com: La-La-La-London. I won't be in the city for a few days (and even then not for long) but you know I'll make every moment count...

Plus, two events next week in New York that I'm getting the word out about (and had a hand in putting together)-- I'd love to see you there (or there):

Tuesday, May 8, 6-8PM: Downtown sweet spot Lolita hosts an opening party for an exhibition of paintings by Swiss art star ANNE-FRANCOISE POTTERAT, "inspired by life and lexicography in her native Lausanne as well as her experiences in the United States and Iran." We'll also be blessed with the sonic stylings of avant pop sensation DJ MAXX KLAXON. And cheap drinks! Details:  @ upcoming.

Thursday, May 10, 7PM: "Upstairs at the Square," basically the best thing ever, seriously, pairs singer-songwriter ROSIE THOMAS (These Friends of Mine) with French author ANNA GAVALDA (Hunting and Gathering) -- who I am 99% positive is coming to the U.S. just for this -- for a sure-to-be-so-good-it-hurts evening of performance and conversation with host KATHERINE LANPHER. And it's totally free. Join us! Details: bn.com/upstairs.

Among Other Things...

109525082_5d2628bc40_m1 So the thing about a bit of very casual, not even clandestine, smoking again, even just when you're just having a drink, is if you say you're doing it because you are sad about this minor romantic thing is that people will just say, What!? Tell us then... So scratch that. Just say it's fun, even more so now that the weather is better. Word on the street is that tipsy-blogging after book parties is by far the most popular feature on Lux Lotus so I'll happily indulge you, my dears...

Unbelievably hectic workday involving many stressful issues that I will not bore you with and anyway, they all ran so late that I was running late too, jumping in a cab in the rain and ending up sashaying breathlessly (in a chartreuse dress and black boots) ten minutes late into a lecture by W.S DiPiero at the New York Studio School. Everyone's favorite venture capitalist was a student of his in college and so we went. I thought DiPiero was going to read from his new book, Chinese Apples, but instead he gave a talk on all my favorite things: the relationship between words and painting, art and existence, breaking things down and building them back up, Fra Angelico, Browning, Baudelaire, Delacroix, Demuth, William Carlos Williams, Mallarme, Rilke, Rodin, the meaning of symbolism, et al, and then he ended it all with a beautiful poem by Frank O'Hara. It was something and I was so sorry I didn't have a pen. I wanted to text myself some notes -- especially the bit about material and perfection and experience and 'the thing' but I didn't want him to think I was a jerk.

Afterwards EFVC and I went for tapas and it was so nice, in a way. It's funny though when someone makes more money in one day then you'll probably make in your life, e.g. a quarter of a billion dollars, and he at least bought dinner, right? But I learned an important lesson: life is not about money; everyone just wants to feel loved and accepted and appreciated. It's a strange new world in that regard. Until recently, I more or less thought life was all about being generally... acquisitive. Not so. But obviously I've never lived that way, even if to my parents I'll always have failed for somehow not becoming the adult version of the 15 year old obsessed with M&A (fortunately everyone's favorite bond trader has that covered). I am glad that I do what I do because it matters to me.

And also, I learned another important lesson, and I know we don't often talk about feminism explicitly here but, ma petite belles, there is a reason that les hommes are running the world and it is: POCKETS. I didn't take a bag tonight, instead shoving keys etc. in my trench (and how I loved that someone noticed I would be wearing it, as promised!) and honestly, life is really different when you're not hunched under the burden of an enormous purse full of things of a superfluous nature. Liberating, even. So handbags, gorgeous as they are, let's try and forget them if you/we can. After all those delicious Spanish dishes with that dear sweet friend of mine who I will always adore for tracking down this for me and bringing it back and always sending me nice notes on my birthday about how special I am, I headed over to a publishing industry party connected to events I probably couldn't care less about but my, it was a good time.

Colson Whitehead is really cool. So is Richard Nash. And Levi Asher. And Bud Parr. And how lucky I am to cross paths will any of these people even for a moment. That being said I am also very, very grateful to 'Lauren from the past' for deciding that taking a vacation next week would be a brilliant idea all those months ago. Gotta meet deadlines and pack, doves, and I'll miss you every moment -- even when I'm reading African Psycho on the Dalmation Coast -- and I'll be thinking of you. Back soon. XOXO.

Exclusive Excerpt: Evi Labropoulou's ALL THE APPLES

700602_u8u4459_copy Most recent Lux Lotus interview subject Evi Labropoulou has officially gone above and beyond by translating a section of her forthcoming novel, All the Apples, into English just for us at Lux Lotus! How lucky we are.

All the Apples by Evi Labropoulou

Maybe it was her hippy hair that dried in spiraled, waterproof curls, from the seawater that was still on them, maybe it was the fact that an hour ago she was rolling on the sand naked, her thighs wide open to the minimal grains. Maybe it was that under the short dress she was wearing nothing but seasalt - yeah, she would rather attribute it there. In any case, when he spoke to her she felt unhesitating.

It happened in somebody's home, on somebody's birthday. The guy had assembled several people he knew and thrown them together. Those two, however, he had forgotten to introduce to each other.

He said, placing a glass of wine next to her, that she looked like a sunflower in her yellow dress, that she reminded him of the sea and the fervid summer, and that it was refreshing at last to see some color – contrary to the other women, she thought, who wore black.
She wore a yellow, Seventies dress, loose on the hips and at the waist. Her dress already made her feel permeable due to her tan, exposed limbs.
She told him that yellow was considered the color of jealousy and deceit, and that - owing to it's detectability - it foretells trouble. In Egypt and in Burma, alas, it symbolises bereavement.
"I am sorry," he apologised "if I sounded romantic".   

She hid the fact that she had been watching him for hours. That she was constantly aware of his body language, his dark, longish hair that somehow matched her dress. That she had glimpsed the way his cigarette hovered on the edge of his fingertips, like a diver about to dive. That he seemed to her unavailable and deeply immersed in conversation with a couple. That the wife -or girlfriend- of the man, who had his hand around her, had been devouring him with her eyes. The woman wore an olive-green dress with a low-cut decolletage and high heels on magnificent calves that, crossed and hyper, were challenging his with small, hungry movements. Or rather, her whole body invited him -this minor sun of the party- while her husband was clutching her waist proprietarily. Yes, that woman, let us call her Maroon, looked enchanted, she looked as if she wished he would throw her to the floor and immediately take her. So, when he headed to the buffet, she followed him like a puppy.

She wondered whether he would approach, if he would talk to her, if she would ever turn him away from Maroon's territory. Thus, when he finally strode toward her she felt a sweet agitation, as if she were soup being stirred in a pot: that he was walking up to her in order to suck her.

She thought to herself that it was the dress: that it made her feel vulnerable and   audacious.
He stood next to her eager for the sound of her voice. It was husky and childish, as he had imagined.
They talked about Johny Cash and Pulp. About Bjorg, who was in at that moment - he said he disliked her completely. They discussed the tastier pasta dish -they agreed on cannelloni. And then The Platform, by Michel Houellebecq, that they had both read, and therefore the need of fantasy in the Western World too.
He became totally absorbed in the way her lips synchronised with her raspy voice, so he asked her,"What do you think about sex?" He lit another cigarette while awaiting her answer.
She suddenly wanted to smoke like a maniac.
"I like it more or less" she replied, meaning she liked it occasionally with some people. "Everyone likes it."
"This is a common misconception" he disagreed, "everyone certainly doesn't. Many are totally bored by it, they do it because they have to. But i truly enjoy it," he confessed in a natural manner.
"I have a friend", she said, "who is totally into it."
"I too am totally into it", he blurted.
"Like, many partners and kinky stuff?" she asked excited.
"Tell you what… In the next five minutes you may ask me whatever."
"Okay, have you practiced SM or orgies? And what about animals, or men… do men excite you?"
"My god, you get to the point."
"Well, what about men?" she insisted.
"Only women".
"Ah, there, you see? You 've got your taboos. How about children?"
"Children are definitely a turn off, they ask too many questions".
"I am not a child", she laughed, "I am probably older than you are - do you like older women?" she laughed again, insecurely.   "So, what about when you have a girlfriend?"
"I can be faithful", he declared and opened a fresh packet. He felt he had already revealed too much, which was somewhat awkward.
"Any fuck buddies?" she asked, still extremely curious.
"My darling, your minutes are up. No fuck buddies." And then he changed the subject deliberately, by saying, "Name your movies".
"Wings of Desire, Casablanca, Lost Highway, Henry & June, Wild at Heart, Blade Runner" she blurted.
"What did Sailor sing to Lula at Wild at heart?" he asked her, excited.
"Love me tender", she said, "of course, Love me tender".
"Oh, I could easily do that", he replied.

EXCERPT TWO

The next day, after work, she shaved her vagina. She attempted something geometrical, like a heart or a triangle, a matter to which she payed great attention. Then she spread body cream up to her toe nails. She scrubbed her face, and while at it, killed some blackheads. She scrubbed her arse too, by the way. She felt it with a finger, found it sleek as a petal, and she imagined his fingers feeling likewise. She had patrolled the shops for some useless apparel, something gravely important in the manicure procedure. She finally painted her nails in black varnish.

She hadn't painted her nails since kindergarten.

EXCERPT THREE

He buried his hands in his pockets. He had to do it, as once again he had this urge to put her in his pockets and keep her. He found a crumpled aluminium foil there and handed it to her, uneasily.
She held it as if it were a bomb. "What is this?"
"Spinach pie. My grandmother's."
She examined the piece at a glance, it sucked altogether: the filling too thick, full of spinach, the chunks of cheese thick as matchboxes. Her own grandmother's pie had been delicate, elegant, crispy and famous in town – alas, not ever again to be eaten. A tear rolled down her cheek, thick like the filling. Wow, she thought, is this how its gonna be now, crying over spinach pies?
With great satisfaction he deduced she was still crazy about him.

"How about you;" she asked as if she didn’t care deeply.
"I am good", he said with a silly prepubescent grin. "Have you seen Mario Testino's latest shot? It was awesome."
She pushed her  trolley away from her, toward the milk section. "You hurt me", she fired, and then she followed her trolley.
He stalked her and they met again at the counter. She saw he was looking at her like he wanted to eat her: like the profiteroles he had placed in his trolley. Profiteroles full of preservatives, false sweetness and artificial colors, just like her.
"I was hurt too", he said, "if this makes you feel better. But you had a boyfriend, if I recall" he was very stern now, "and you still have him." The word 'boyfriend' he spat out, like a plum pit.      
Yes your highness, she thought, I still have him.
He suddenly seemed to her ridiculously righteous.

That Much is True

Ha! I had this song in my head for three days, and then I saw the video. The female solo -- visually, musically -- in the middle (1:35'ish) is about the most perfect thing in the world to me right now. I am totally wearing my vintage trench tomorrow. Product Also, a MySpace message from Liberation reminded me to stamp my finger with the 'diamondring' I got when we went to Project No. 8 together after brunch this weekend. So much outfit planning, non?Stempelschmuck (Tonight I wore a fun new purple minidress from H&M with my exquisitely handmade chain-link scarf by Vanessa Roth; and yes, you really do need one. It's sartorial catnip. And speaking of all things crushy and delicious, I just picked up two books for the plane: A Hedonist's Guide to London and Memoirs of Hecate County by Edmund Wilson) I'll sort it all out tomorrow/later. Bonne nuit, dors bien, fais de beaux reves... I'm off to sweet dreams of sweet things.

Windowlicker

Heather
Yes. yes it is.

aNYthing Post Discharge Crew, $58.

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

The Smart Set: April 23 - 29, etc.

This week's edition of The Smart Set is up at MaudNewton.com, and, as always it's all for you. Included therein: ironic parties, dirty poetry, a gentle rejoinder to shun the obligatory and more.

00370f_2 Tomorrow evening (Tuesday) is "Green Apple Talk #3: Environmentalism Now," the latest edition in a series that I put together just for fun (and my favorite ex-boyfriend). Pictured: one of the panelists modeling for John Galliano.

And you can now listen to the free podcast of April's "Upstairs at the Square" at bn.com/upstairs. Don't miss "Big Blonde" -- the maracas make it all shimmery.

The Lux Lotus Interview: Evi Labropoulou

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Photo credit: MICHALIS Skourlis for Greek newspaper PROTO THEMA.


Words pale to describe how much I adore getting email from Lux Lotus readers. One recent correspondence that's been a pleasure is my funny, friendly exchange with impossibly cool young Greek novelist Evi Labropoulou (above, center). I've been encouraging her to get some of her much-praised work translated into English so we can discover it, and she's also begun writing about her glamourous, Athens-dreading life via her new, hilariously clever blog, hyper.super. This miracle worker also maintains LooDe Punk, an entirely different blog in her native Greek, too! In between her many projects, working with a group of fellow writers, agonizing over the cover for her first novel, soon to be reissued, and commenting on a life well-lived in general, Evi was kind enough to answer some questions via email for us here at Lux Lotus:

''The only standard thing in my life is my hair. Sometimes, though, the wind blows.'' --Happy Loo

"I like sweating with you. I prefer sweating with you to being alone in the coolness of my room." -- Happy Loo

Lauren Cerand for Lux Lotus: What are the pros and cons of living and writing on an island in Greece? Why would you rather be in NEW YORK wishing you were living on an island?

Evi Labropoulou: Pros and cons are basically the same.

Pros. Desolation. And the sea is everywhere -you can dive or just watch it from your balcony. Finally, everything is very laid back here, if you want to have a drink you can just go to a bar where you will probably find some people you know.

Cons. Desolation. And, the sea is everywhere - you can't just get in the car and drive away, you have to wait for a boat, a plane -or otherwise swim if you suddenly decide to go to a party/ a reading/ a concert/ a wedding. This is my lame excuse for not going to weddings. (I rarely miss the parties though). Plus, everything is very laid back - which can be really boring.
New York sounds artsy and fast. I want summers on the island, winters in New York- sounds egoistical, yes. But can I have that? Please?
 
LC: What are your favorite things about the Greek literary scene? Least favorite?
 
EL: My favorite thing about the Greek literary scene is the literary parties, and the fact that the literature is in Greek, my language of proficiency.   

My least favorite thing is the historical novels that have flooded the bookstores. Plus most Greeks think they can write and unfortunately they do. (That could be said about me too, of course.) A huge number of books is published which also suffers from narcissism and from an obsession with history. So I kinda like it when they say I write American literature. Then again, a huge number of books being published could be a good thing.

More on the con side: it is a big literary scene in a small country, with a rare language. Which offers few possibilities for developing a big readership. American (or Chinese) writers have no idea how lucky they are.
 
LC: Are young writers supportive of each other?

 
EL: I am not sure. I am supportive of my writer friends -and them of me, I hope. You see, I am a huge fan of the writers I like. But there is enormous narcissism and insecurity in artistic personalities. I was on a committee for a prize lately, (it is very weird that I actually am in this committee) and was a bit torn, because I had to choose between the writers I like as people and those I like as writers. I chose the latter -it was tough. Furthermore, I was attacked by an anonymous blog commenter lately, and I couldn't sleep for two days. Friends informed me she was some fellow writer I have met! Then I forgot all about it –well, apparently, not all.
 
LC: How has the public received your work?
 
EL: My first book, HAPPY LOO, that was deemed as a low profile, melancholic though funny, somewhat cult book (about a girl who does doctorate studies in London and suffers from insomnia, parental interventions, mupltiple sex-partners and indecision) made an impact. It was strange, suddenly I was on tv and being photographed for magazines, having my hair done by hairdressers and appearing on a couple of best seller lists. Sometimes people would come and talk to me in the street and they hadn't even read the book, they had only seen me on tv. That's when I met this guy, and followed him to the country.

With the second book I made it to the cover of a prestigious newspaper, something like the New York Times Book Review for Greece. This may have been the highlight of my career, I can only dream it will ever happen again!

LC: Are there any plans to translate any of your fiction into English?
 
EL: There are plans for a German translation, no plans for English yet. But I would so love to be translated in English. I would be able to read it too!
 
LC: What's the new novel about ?

 
EL: It's about a woman who falls for another guy. She gives the new guy a lot of shit, cause she thinks it is only lust that she is feeling. Then she returns to the full time guy, at home, and they watch tv. It is about love and lust. A very banal plot, that has to be executed masterfully and given some fresh aspect, or else it can get terribly dull. I am not sure I have achieved this though. If I finally decide it is banal I will not publish it. The title might be All the apples. Or One more piece of cake. What do you think? [LC: All the apples, definitely]

The back cover will be like this:
How much does infidelity cost, what was the song that Sailor sang for Lula in Wild at Heart, and can you built a passion on the fact that you are aware of the answer? Why are you suddenly drawn to a person? Do you leave someone you love for someone you are in lust with? What is best, sex or fantasy, and how can some people just quit love, the way they quit cigarettes? Especially when they do both simultaneously?
 
LC: Many people are influenced by things outside of the medium they work in, and I'd be curious to know what you're feeling influenced by right now, whether it's art or fashion or film or literature or anything specific that's shaping your aesthetic philosophy of the moment...
 
EL: Life is a great influence. This means I have to have a life in order to write, no one gets inspiration just by looking at the turbulent sea -bars are a much better place. I use my friends' lives a lot. Some of them are amazing. Some supply great dialogues. One likes to shout at me whenever he sees me, "I want my percentage of the publishing rights!"
 
PULP FICTION, London, rain, my thesis, Heisenberg, Portishead, Oasis and writer Jay MacInerney have been great influences.

Latest inspiration was derived from a COCOROSIE concert, in Athens, and from film RECONSTRUCTION. Also, by Wim Wenders film, DON'T COME KNOCKING. Something about its aesthetics has affected me and I am sure it will somehow influence my work. Then again, Wenders may have influenced the aesthetic philosophy of my life.
 
In my new novella I used the "Say fuck me" scene, from WILD AT HEART, where this ugly guy with the bad teeth [Bobby Peru] goes to her and says "say fuck me'' and [Lula] does repeat it… until she starts to mean it. In the novella the girl meets this guy who is movie-literate and the fact that he uses the lines of this movie totally turns her on. See, when they first met, he asked her "What did Lula sing for Sailor in Wild at Heart?"

For more of Evi's wit and wisdom, visit her at hyper.super and do prepare to be addicted!

My Life in Pictures: The 'I'm Just Buzzed' Cameraphone Portrait Series

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It's true that if you tell me I " have a smile that could launch a thousand ships," I just may forget all past slights, real or imagined. I can promise definitely, however, that I will instantly reply that I did convince a bunch of guys to crawl into a horse once.

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Just hanging out at home, wrapping things up for the work day 'round midnight per usual, eating Maltesers (recommended by those who know) with Mandarin Orange sparkling water and holy smokes, it's paradise. The best book parties are the ones where the wine keeps coming and you can still walk home (and P.S. pick up Falling Boy). Having lunch with Bud Parr of Metaxucafe tomorrow at my fave spot, yay! Love those internets.

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And I'm thrilled about the fact that I'm headed to London and Dubrovnik for a minute the week after next. No firm plans as of this moment,  but that's never stopped me yet. Tips? Send 'em here. XOXO.

Windowlicker

This week's Windowlicker guest editor is Joanna Goddard. Joanna lives in New York, where she edits Bene Magazine, a new magazine about Italian life and style, and writes A Cup of Jo, a Lux Lotus fave focusing on "Art, Photography, Design and the People I Love."

From the moment I watched my first foreign film, I've had a thing for French actresses. Charlotte Gainsbourg, Jeanne Moreau, Catherine Deneuve and, of course, Brigitte Bardot. Even though I look completely different (I'm built more like a twelve-year-old boy), I'm still inspired to achieve her lovely, sensual, feminine style.

Bardot

Wanting to recreate the ensemble in this photo, I'm currently windowlicking Jennifer Behr's Prada-esque silk headbands.

Purple_headband

And those eyelashes can't be real, can they? Either way, I love these Shu Uemura false lashes. Ooh la la.

Lashes

Thank you so much, Lauren!!
Joanna

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

There She Goes

Chapinsisters_cakeshop

Sometimes it's sort of funny how you don't even realize that you need cheering up until it's in motion, and that's how I felt about The Chapin Sisters show tonight at Cakeshop, as part of the monthly Mixer series. A stunningly talented trio of actual sisters, based in L.A., they encapsulate the best of folksy Americana-style harmonizing (think of any high-spirited but soulful Johnny + June Carter Cash duet) with a wry, contemporary perspective and absolutely fantastic energy and stage presence. And voices like angels! Check 'em out.

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