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Luxnotes: You Tell Me

Another clever Lux Lotus reader (*previously), noting my affection for Paul Wall, writes in with a link to the above clip, wherein The Peoples Champ explains how to use MySpace and why it's not "Send Me Your Demo Space" or "Free Commercials, Free Publicity for the World" and especially not for strippers now that he must approve all comments.

P2140421

And Lucille and Tom write in to say they recognized the chocolate from the clip I posted yesterday, (a short film via youtube) featuring Jonas Mekas wishing Louise Bourgeois a happy birthday! L&T even sent in a photo of the candy (pictured). In San Francisco, you can get some at Nest.

Lucille also recommends you check out A Thousand Tomorrows on "Tomorrow's Garments."

Stephen wrote in with an update on his latest film and sent a still from the ungraded fine cut which will look better when its finished but I think it's pretty arresting as is...

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Windowlicker

Hdr_32

First-class is... nice (I've flown it once, as a guest) and business class is alright (especially when Air France upgraded me on my return flight a couple of years ago), but nothing compares to flying privately (which I haven't done since I was very young). These days, fractional share plans make a fantastic daydream very nearly a realistic option for those with more money than patience. Noted:

The Marquis Jet Card offers another way to experience the unmatched safety, service and reliability that have made NetJets the global leader in private aviation. The Marquis Jet Card is the result of an exclusive alliance between NetJets and Marquis Jet Partners.  Each card represents a sublease of a NetJets fractional share of which Marquis Jet Partners is the owner. The Marquis Jet Card, sold as a prepaid lease offering 25 hours of occupied flight time, is the only jet card that gives you access to NetJets’ world-class fleet.

[Marquis Jet Card -- a single year, 25-hour pre-paid lease starts at $119,900 (plus other associated fees) in a Citation V Ultra]

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

Dresses, Distance

  • A notably clever Lux Lotus reader writes in to recommend A Dress A Day, which I do, in fact, newly love, for its many lush and addictive pleasures, most of which end in a full skirt. Coincidentally ADAD editor Erin is also the author of the just-published That's Amore! The Language of Love for Lovers of Language. Check her out.
  • Most recent Lux Lotus interviewee Elena Corchero forwards a note from a friend about a cool project that should be on the radar of all Lux Lotus readers who are into design, technology and the future:

Dear colleagues,

I am writing to spread the word about the launch of Distance Lab, a new digital media research institute based in the beautiful and culturally-rich north of Scotland.

The mission of Distance Lab is to invent new technologies and experiences that challenge the way we think about distance and help overcome its disadvantages in learning, health care, relationships, culture, and other areas.

Many of you will remember me from my involvement in Media Lab Europe in Dublin, where I headed a research group named Human Connectedness. My hope is that Distance Lab will expand on many of the themes from this group as it develops a similar demo-based culture full of talented engineers, designers, and artists from all over the world.

We are now recruiting RAs and interns on a rolling basis.  We are also looking to build links with potential sponsors, clients, and collaborators.  Please forward this message to anyone you think might be interested !

All information is on the Distance Lab web site:
http://www.distancelab.org

Please join our mailing list if you would like future updates:
http://www.distancelab.org/contact.html

Keep in touch, and please let me know if you are ever in Scotland !

s t e f a n agamanolis
Chief Executive
Distance Lab

Previously: Dear Stylists, Get Stylish.

The Smart Set: 2.28 - 3.4

In this week's edition of The Smart Set for MaudNewton.com: fifteen animated snapshots of life in a small town.

Pictured: Jonas Mekas 365 Films: January 3, 2007 -- "Benn, Sebastian and myself, we visit Louise Bourgeois to wish her Happy 95th Birthday."

Luxloves: Mika @ Valley

Lcnails

Valley is fast becoming my style destination. On Friday, on my way to the first of two dinner parties I attended this weekend, I stopped in for a manicure (I'm pretty much the opposite of high-maintenance; my theory is always that pretty hands and eyebrows will distract people from noticing that I hardly ever wear make-up or brush my hair). At first, I planned to get a passably attractive red-brown shade but then realized that I was having my nails done by an artist and so decided to come up with a more inspired vision, brilliantly executed by Mika. As you can see, I went with a "night sky" theme, in something of an homage to Auden.

The Lux Lotus Interview: Elena Corchero

Elelanzarote

Ever since I first heard about the whiSpiral, I've been fascinated by the work of forward-thinking textile designer Elena Corchero (pictured). For almost a year, we've been trying to connect and finally we were able to chat by phone earlier this week. She's currently based in London, studying at Central Saint Martins College of Art and Design and advancing her latest project, Lost Values.

Lauren Cerand for Lux Lotus: How did you become interested in blending technology and textile design?

Elena Corchero: I’ve been working in fashion design for years but it got to a point where I realized there was more to it. Actually, I read an article a long time ago in National Geographic, called “Dreamweavers.” I always liked technology but that made me realize there are a lot of things that aren’t done that could be done.

LC: What inspired your latest project, Lost Values?

EC: The one I’m working on now is about looking at endangered species and the many global/ environmental issues we are alarmed about, but I had to narrow it down for the project to see how technology could be used more in our everyday life so I am focusing on solar cells.

A few other designers have tried things here and there, but people haven’t found them attractive. With this project, I’m challenging the aesthetics to make them more appealing.

LC: What's your creative process like?

EC: In the context of my work, inspiration could come from two places: doing research and finding an interesting technology that inspires a project, and second, looking at the future and imagining how to make things better. The second way is more about ideas, and has more meaning because you can always find the technology to do it. When I’m involved in a project that has a strong underlying meaning, it’s more meaningful to me on a personal level.

LC: Are you influenced by art, films, books or science or computers or something else?

EC: Definitely science, science fiction movies -– Code 46; it’s not related to my work but I really like it. It’s more talking about biology and viruses. Science fiction is very interesting for anyone working in technology. Other designers too, as I think people can be very inspiring, like Hussein Chalayan and his summer collection, especially. Knowing there is someone in fashion who is taking chances in that way gives people hope and energy to do more experimental things. The problem is that technology is not fashionable; people don’t want to wear the fashion or get close to it. So, he’s really standing out. In terms of books, right now I’m reading The Master and Margarita – I’ve always wanted to read it and I’m really enjoying it. I recommend it very much.

LC: Did growing up in the Canary Islands impact your work in any tangible way?

EC: I remember I had a lot of projects that had to do with the sea, but I didn’t realize it. Someone pointed it out to me in an interview for college! I definitely identify with this feeling of being on your own, floating, in the sea. My color palettes sometimes create issues here in London, because I use brighter colors like we might in Spain or the Canary Islands, I think I need them to survive but sometimes people here think they are too much. The light, the sun, also, I think that influences my design as well.

LC: What do you like or not like about living and working in London?


EC: The amazing cultural offerings are the best thing about London, every day you are missing so many things – it can be frustrating because you have to choose. It’s very vibrant. It’s very multicultural. I know very few English people; most people I know are from everywhere else. I love the fresh ideas, meeting up with friends in a bar and talking about ideas, it’s very creative that way. Coming from a warm island, London is more grey, it’s a stressful city where people just walk down the street thinking about their own things so there’s not as much human contact. The course I’m doing is two years and it can be heavy and of course the challenge is always trying to maintain your vision when other people have their own ideas. You might have an idea that you really believe in and think it might be possible to build it but you have to prove it.

LC: And finally, many Lux Lotus readers are creative professionals. Any parting advice?


EC: Research is very important whenever you are doing a project but to believe in what you’re doing is the most important thing to keep in mind. I know that sounds typical but it’s true. The hardest thing is to remember what you wanted to do –- that’s my challenge right now.

The Philadelphia Story

Returned this evening from spending the better part of the day in Philadelphia, as I mentioned I might earlier this week, and all was a splendid success. On my way out of New York, I stopped by the deli of my dreams ("Newstand-Grocery" at the corner of Orchard and Canal), which, seemingly created entirely from my subconscious cravings made real, sells a mix of Asian, European and organic specialty foods and all the best magazines, including the one I bought today, Monocle (Tyler Brûlé's latest branded offering). Given its stated aim to "be an oasis from celebrities and low production values," Monocle is pretty genius and a good example of how print media can survive in the future (focusing on a niche that finds its mobility convenient).

Once in Philadelphia, I made a beeline for La Colombe Torrefaction, which a reader kindly wrote in to recommend, and I am ever grateful for it was an excellent pick. I had a cappuccino and a brioche (to stay; the cups and ambiance were impossible to resist) and it was only $4.75, which was sort of reverse sticker shock for me as I expected it be more like $10. From there, I bummed around the Walnut and Chestnut Streets shopping area, which is a little bland.

Lured into Urban Outfitters by an "additional 75% off" sign, I tried on a flouncy printed silk dress that would have been $5 (!) but pronounced it too "Grandmother's Attic" and not enough "Summer of Love" and passed on a black ruched cotton scarf that was very Toulouse-Lautrec but too similar to things I already own. In Anthropologie, I tried on a black and white striped cotton tunic/dress by Edward An that was chic if a touch too Mod-ish but so overpriced when I finally looked at the tag that, in a brief moment of fashion animism, I just felt sorry for it.

I shrugged off the disappointment of a shopping bust (and also, at not having come up with "a plan" prior to my arrival, which would have included making a reservation at Le Bec Fin) with a stop at Five Guys, famed chainlet & purveyor of vaguely In-n-Out-ish fresh burgers and fries, which were top-notch. From there, I took a long amble through some very quaint and stately blocks of townhouses and deshabillé older buildings over to Giovanni's Room, where Robert was reading. While waiting for the event to begin, I boughtThe Swimming Pool Library by Alan Hollinghurst and Edmund White's Skinned Alive. The reading was stellar, especially because the setting for it was upstairs next to a fireplace with Robert sitting in a wingchair and so it was sort of an amusing storytime for adults, all gathered closely 'round for the tale of a teenage fuck-up. Also, there were actual adolescent boys in the audience, giving the whole spectacle an air of authenticity. Overall, it was brilliant.

My new pal, Andi Buchanan (of MotherTalk fame), who lives in the neighborhood (and is so cool that she has a cool kid, who is like six and already planning out editorial for her envisioned fashion/lifestyle magazine, in addition to caring for several Tamagotchis around the clock, which she told me all about over hot chocolate after Gayle's Self Storage launch party in New York last week), met me there and we went for dinner at the absolutely gorgeous and delicious creperie, Beau Monde. Highly recommended.

Back in New York, I came home to lots of good mail -- three new movies from Netflix: L'Avventura, Masculin Feminin, and Elevator to the Gallows, the new issue of Allure (lest one forgets), a note from my mother that included a Starbucks card, and a wholly unexpected care package (chocolate and lip gloss -- how did she know?) from Elizabeth in thanks for sending some Chinese New Year decorations to her for her party last weekend.  All in all, too beautiful.

Lux.links

Windowlicker

Brelzipper1130

Today I would love: a ticket to see Jacques Brel is Alive and Well and Living in Paris before it closes!

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

O Spring, O Stars

Today the weather in New York is mild and pleasant and redolent with the first stirrings of spring. I've opened some windows in my apartment (mostly for the sake of my pretty pet orchid, Jozefine-Hippolyta) and put on a new opera cd, one of several a good friend recently surprised me with much to my delight, and all is quite productive and charmant, as another good friend might say. Of cultural interest at the mo', there's an intriguing discussion of music, writing, art and the creative process at MetaxuCafé, and also, today is the centennial of W.H. Auden's birth. Not only is he one of my favorite poets but he was blessed with the dreamily obscure first name of Wystan. How divine.

THE MORE LOVING ONE

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.

-- W.H. Auden (1957)

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