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Nothing Dot Net

Seldom is it impossible to find information online -- after all, one can witness the quelle horreur that is Sofia Coppola's forthcoming New Order- Kirsten Dunst- revisionist Marie Antoinette -mash-up with just one click.

I just finished Nancy Mitford's Madame de Pompadour biography (structured more like a witty historical novel) and that would have made a compelling film, albeit not with a teenaged vampire as prototypical heroine and the director's cousin, much as I like him, in a starring role.

Woti_3

[image: a.v.a.f. video still from walking on thin ice, 2002]

Nonetheless, it's doubtful that will be a selection of Le Cineclub, and so I digress: does anyone have any details on the upcoming Assume Vivid Astro Focus collection for LeSportsac? I must admit that I am slightly intrigued but, at the moment, online searches come up just about empty.

Another art-meets-fashion collaboration that I'm a little sweet on right now: Royal Art Lodger Marcel Dzama for MZ Wallace:

Octopus
[image: octopus; " articulated charm in 18k rose gold with cat's eye and single-cut off-color diamonds on an 18k white gold chain."]

Noted:

M Z WALLACE CELEBRATES ITS FIVE-YEAR ANNIVERSARY. To mark the occasion, M Z WALLACE has collaborated with artist, Marcel Dzama, on what W magazine calls, “something completely unexpected."

Well I wouldn't say completely unexpected: MZ Wallace co-designer Monica Zwirner is married to Dzama's New York gallerist, David Zwirner. Still, the project is a novel, inspired idea that I wholeheartedly applaud.

Windowlicker

Secretsofcharmlaurenblackd

The "Lauren" Dress by Secrets of Charm:

"The myth of the black dress lives on in in this chic simple silk jersey dress with subtle details like a gathered neckline, slim gold cord at the waist, and ultra long sleeves.  It couldn't be sexier - and you're not baring a thing! Sure to be a tried-and-true, always looks gorgeous closet treasure."

Well, naturally... [$365 @ Ravinstyle]

2077

It would be quite luxe, as they say, paired with these Coral Earrings from New Orleans jewelry designer Mignon Faget [$945 in 14K gold].

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

Do you have this face in plum?

Friend of Lux Lotus, Scott Westerfeld (who enjoys an enviable back-to-back summer lifestyle in Sydney/New York with Justine Larbalestier) is quoted in today's New York Times about cultural currents around the world's first "face transplant" in France:

A new face might one day be a covetable luxury item, suggested Scott Westerfeld, a science fiction writer, whose novels "Uglies" and "Pretties" project a future in which a compulsory operation at 16 makes everyone conform to an ideal standard of beauty. In that future world, "it's not just how much cosmetic surgery you get, it's how often," Mr. Westerfeld said, adding, "There will come a day when having extreme cosmetic surgery will be like buying a $1,000 Gucci bag, an indication that you are a member of the privileged class."

i can't say that I have a particular taste for Gucci since Frida Giannini took over -- and even less of an affection for plastic surgery, unless it's bad (see: "Jessica Simpson Puts Her Best Lip Forward"), but Scott's prediction, like all good science fiction, has an air of truth foretold.

Previously: Hot Copy: Peeps Invade New York!

..."you can get a lot done in this country, even in 2005."

Arthur magazine just sent out an amazing response to recent news about Harper's that is so brilliant and inspiring and indicative of what a truly visionary enterprise Arthur is that I have to share it with you:

A recent article on the upcoming changeover at Harper's -- Lewis Lapham, the magazine's $315,000-a-year editor is stepping down -- bemoaned the state of thoughtful periodicals in this country. "The Atlantic has lost money for all of living memory, and The New Yorker was unprofitable for most of the last two decades," wrote the piece's author. "So are all the little weeklies. Call it cultural philanthropy or call it vanity publishing, but without rich guys willing to take financial baths, magazines of literary and political journalism and belles lettres would scarcely exist in America."

It is true that these magazines have depended on the kindness of endowments, foundations, anonymous million-dollar donations and such to survive in a cultural environment hostile to considered thinking. But there are other ways for such publications to survive with editorial vision intact. Far be it from us to suggest that Arthur exists at the literary or cultural level of Harper's, The New Yorker or the Atlantic. But, that said, we do feel we have made a small contribution to the culture, without the help of trust funds, rich donors, endowments or whatnot. (Not that we'd turn any of those down, of course.) But what we've managed to do has been achieved by following a COMPLETELY DIFFERENT model from those three magazines. We've relied on our personal credit cards for start-up capital, on our willingness to live with incomes below the poverty level, and, most of all, we've been absolutely dependent on the goodwill, labor and contributions of literally hundreds of people in our first three years of existence: the network of volunteer distributors, the magazine's barely paid "staff," the hardworking-on-deadline contributors and columnists who work for barter, the many musicians and artists who have contributed material for our various CDs and posters, the loyal advertisers who've supported the magazine from the beginning, and so on. Arthur has been a labor of collective love. That love is not always pretty or perfect, but it is REAL. If you are willing to work collectively, if you are willing to be poor (by the first world's elevated  standards), if you are willing to share any rewards equitably, you can get a lot done in this country, even in 2005. You can even publish a free magazine. And you don't need to pay an editor $315,000 a year to get it done.

But we're not finished. We want to take ARTHUR into profitability, so that everyone involved in the magazine's production and distribution can be fairly compensated financially for their labor. We want to greatly up our print run so that we can reach more people. We want to publish more frequently. As independent, dissident voices continue to disappear from the airwaves, from the newsstands and the streetcorners of America -- silenced by foolish business decisions, small businesses' lack of access to capital, corporate acquisition (see: New Times chain acquires Village Voice Media chain), governmental mis-regulation (see: the level of quality/miseducation on the public-owned airwaves), Pentagon and FBI intimidation (today's LATimes: "The Pentagon has a secret database that indicates the U.S. military may be collecting information on Americans who oppose the Iraq war and may be monitoring peace demonstrations, NBC reported Tuesday") and the perennial problems of personal cowar dice, lack of imagination and/or inertia-born-of-despair.

So. To simultaneously strengthen Arthur and what's left of independent America, then, we are proud to announce that the next issue of Arthur, No. 21, out Feb 7, 2006, we will be inaugurating THE ARTHUR INDIE PAGES: pages of LOW-COST advertising, divided by city or region, which will be devoted SOLELY to independently owned and/or operated businesses in that area. Bars, clubs, stores, salons, yoga centers: if it's local, if it's quality, if it's indepedent, it can advertise with us for very little -- and reach not just the neighborhood in which the business operates, but the rest of the nation as well. We're gonna try to further stitch together a network of no-compromise, non-corporate independents that we've built with Arthur to date. We know we can do this because we already are. 

Send inquiries about the Arthur Indie Pages to: ads@arthurmag.com.

Hmmm....a subscription to Arthur makes a marvelous holiday gift, non?

Happy Birthday Jane Birkin!

Janebirkin033_2

I only know that December 14 is Jane Birkin's birthday because I got a charming email newsletter in my in-box that I must have signed up for a while ago. At any rate, Jane is simply fantastic and a cultural icon. My two favorite albums of hers, which I would universally recommend, are A La Legere, classic French pop, and Arabesque, something of a tribute album to Serge Gainsbourg featuring his songs set to North African rhythms.

Inner Realms

58304877_179084441_0

This past weekend, a friend and I were walking through SoHo and snapped this photo of an old courtyard exposed by a construction site. Look at the middle building -- those are the oldest shutters I have ever seen in New York! It's like New Orleans! Or Paris! Or The Ear Inn!

1990

Or that chic-devil Chanel Egoiste ad from 1990! ...In a word: dreamy!

Bookmarks Deux

At The Millions (A Blog About Books), Marcy Dermansky singles out a dark vision of suburban dystopia as her "best of" pick for the year.

Previously: Bookmarks.

@jenbekman: Lizzie Skurnick

Skurnick_2

Jeffrey Yamaguchi was kind enough to send along a snapshot of last week's salon event, @jenbekman, featuring Lizzie Skurnick reading poems from her award-winning chapbook, Check-In. It was a marvelous event, with a charming, eclectic mix of the kind of fabulous people one imagines might be everywhere in New York but are rarely in the same place at the same time. And, on a side note: those boots? C'est moi.

Smoking Tulips

I love it, I love it, I love it. But it's not for sale.

Windowlicker

Foisdebois
The perfect element for suitably toasty evenings + modern apartment living: Diptyque's Feu de Bois (Firewood) scented candle.

Windowlicker - from the French for window shopping: faire du lèche-vitrine - appears on Tuesday and Thursdays at 10am EST.

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