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Thousand Points of Lux: Bryan Keefer

BryanKeeferYou have a new book coming out next month, All The President's Spin: George W. Bush, The Media, And The Truth. Why should I buy it instead of any other "Bush book"?
Lots of people have talked about how they hate the Bush administration's policies, but no one has taken a look at the real story of how he has sold those policies in an incredibly misleading way. And the press never calls him on it. It's the definitive non-partisan critique of how the Bush administration is changing politics. Plus, it's coming out in paperback, so it's almost cheaper than a latte.

In addition to your work as a co-editor of Spinsanity.com, the website that Andrew Sullivan called "a bipartisan bullshit detector," you are assistant managing editor for Columbia Journalism Review's Campaign Desk, an online journalism project that monitors election coverage. And, you have a piece in the magazine this month, with probably the coolest title ever printed in that forum. How does it feel to be one of the lucky few who professionally blog for a living? It's a rare thing, indeed.
Not only am I lucky to be blogging, but I'm lucky to have editors, and in the case of Campaign Desk, a full-time staff of sharp reporters. I used to feel a little bummed that my work appeared online rather than in print, at sites like Spinsanity.com and Salon.com, but now I realize that the internet is actually the ideal medium for the rapid-response fact-checking and covering-the-coverage kind of work that I do. It's great to write in long form as well, like in the case of the book, but the speed and reach of the internet are unbeatable.

Obviously, no one is going to talk about politics for three years after this November. Will you turn to topics beside politics and the media, or chase another kind of spin?
I'm thinking about a number of things right now. There's always the Great American Novel I've been knocking around for a couple of years, and of course, the possibility of four more years of Bush.

And finally, we've been dating forever. As a media critic, wouldn't you say that this interview is a rather troubling conflict of interest?
Probably, although on the other hand, you can always use the clip to get a job at Vanity Fair.

Bryan Keefer is the assistant managing editor of Columbia Journalism Review's Campaign Desk, which monitors media coverage of politics. He is also a co-founder and editor of Spinsanity.com, and co-author of the new book All The President's Spin: George W. Bush, The Media, and The Truth. His personal website is Bryan Keefer.com.

Blink, and you'll miss it

What's on my mind, right this moment: Joseph Cornell shadowboxes, contemporary photography, being smitten with the seasons (and life in general), Zulu telephone wire baskets, Andy Warhol saying: "I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece."

Paging Gregor Samsa...

birds_of_paradiseepaEmerging Arts with Earthly Possessions, brings you METAMORPHOSIS: A HAITIAN TALE, a weekend-long celebration of Haitian art and culture featuring a world premiere art exhibition by three of Haiti's finest emerging painters: EDDY GAETAN (textured knife paintings), JEAN CLAUDE FELIX (acrylic), and PATRICK VENERET (oil).

*Musical Director: JEPHTE GUILLAUME of Tet Kale Records
*Live Dance Performance: NADIA DIEUDONNE Nadiadieu.com
*Reading: ELLA TUREENE from her new book "Revolution" LivLakay.com

-Fri June 25: FREE Opening Reception 6pm-10pm open bar ($5 after 8)
-Sat June 26: Haitian Night 6pm-10pm open bar ($5 cover)
-Sun June 27: Tea Party 12pm-4pm lite bar ($5 cover)

Zenergy at The SkyLoft @ 519 West 36th St, (btw 10th & 11th Ave)
More: Emerging Arts

So, check it out, lovelies. I'll be there Saturday night.

UPDATE 6/27: I went last night and the show (and the space) was gorgeous, gorgeous, gorgeous. Major props to Ivo and Joanne for putting together such a great event! You can see some of the art here.

Magnolias, 1945

I just finished a biography of Frida Kahlo written by Hayden Herrera, and I highly recommend it. Kahlo, a seminal Mexican modernist painter who was a true original, always interested me and I thought I knew quite a bit about her life and philosophy. Obviously, reading 400 pages about one person's existence is destined to be illuminating, and it was. From the gruesome bus accident that nearly killed her in her teens to her encounters with Surrealists in Paris and the New York art world, Kahlo led an extraordinary life in which her art and the poetry of everyday experiences were inextricably bound together. I especially liked the fact that she put at least as much effort into constructing her colorful, eccentric persona as she put into her painting.


In Frida's first Self-Portrait she is dressed in a luxurious velvet Renaissance-style gown. In her second she presents herself as "one of the people" and, most emphatically, as a Mexican. Her lace-trimmed blouse is typical of the inexpensive clothes sold in Mexican market stalls, and her jewelry -- colonial-style earrings and pre-Columbian jade beads -- symbolizes the painter's identity as a mestiza (a person of mixed Indian and Spanish blood). "In another period I dressed like a boy with shaved hair, pants, boots, and a leather jacket," Frida said once. "But when I went to see Diego I put on a Tehuana costume." ...Even when she was a girl, clothes were a kind of language for Frida, and from the moment of her marriage [to fellow Mexican modernist, and celebrated muralist, Diego Rivera], the intricate links between dress and self-image, and between personal style and painting style, form one of the subplots in her unfolding drama.

The costume she favored was that of the women from the isthmus of Tehuantepec, and the legends surround them doubtless informed her choice: Tehuantepec women are famous for being stately, beautiful, sensuous, intelligent, brave, and strong. Folklore has it that theirs is a matriarchal society where women run the markets, handle fiscal matters, and dominate the men. And the costume is a lovely one...


That is marvelous. There is so much to be said for being truly inspired by someone, or something, you admire. Especially as I am about the age that Frida was when she got married, and I can really identify with her desire to assume the characteristics of a Tehuana (or any other strong, bold, intelligent woman) through fashion in order to cultivate (or emphasize) them in herself.

The book piqued my interest in several new topics that you can expect to hear more about in the future: Mexican modernism and revolutionary art (which I plan to check out at El Museo del Barrio, free from 4-8pm on Thursday), Mexican textiles(I just bought a beautiful blanket at a thrift store in San Francisco's celebrated Mexican/Hispanic Mission neighborhood last week), and of course, on a grander scale, the Frida Kahlo museum in Mexico City. In the meantime, I'm also going to see the gorgeous film that Herrera's biography of Frida inspired.

Sorry, Sorry, Sorry

I've been missing, I know. I apologize for the lack of intriguingly gossamer content here as of late. I went to Flower School (an early, extravagant birthday present from that special someone). And, checked out a stark and moving dance performance by new talent at The Yard. Visited the Studio Museum in Harlem, and saw an incredible retrospective of Fred Wilson's work (go see it right now). I got an exquisite vintage Yves Saint Laurent jacket for two dollars at a thrift store. Last night I heard David Sedaris read and present selected short stories at Symphony Space. And, of course, I've been busy looking for a new day job, as always... If you're in New York, come to Cupcake on Tuesday. I promise it'll be fun and then some, avec T Cooper and Maud Newton.

Related:
-Issues in Cultural Theory #04: Fred Wilson: Objects and Installations, 1979-2000
-Dress Your Family in Corduroy and Denim
-Some of the Parts

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